House Design
A home that works on all levels (comfort, function, economy,
aesthetics) is a highly prized commodity in all cultures. How these requirements
are defined is a function of personal values, location, income, and intended
use. Here in Maine, it ranges from a simple, unheated summer cottage to a high
performance year-round home or condominium.
Or it could be an existing home
with "good bones" that deserves to be updated to reflect the lifestyle of its
occupants and the economies of the times.
House design is not just about whether it’s Colonial, Contemporary,
Shingle Style, or Greek Revival. It’s all about craft and imagination working together to produce something that speaks to the owner’s needs and operates on multiple levels: how it looks and how it works. Good design is practiced at every level. From the
door handle on the front door to the proportions of the windows, Design is thoughtfulness and caring expressed in built form.
Not everyone is “design literate” enough to pull together
and communicate to a builder all of the details necessary to build or remodel
the house of their dreams. Architects are the “strange ones” among us who live,
eat, and dream buildings. They are
either trained to think this way and/or they have an innate ability to do so. It’s
a combination of problem-solving and artistic inspiration. I remember, as a
kid, drawing futuristic houses, carving out rooms in the sand at the beach and imagining spaces in my mind. It was the start of something that’s lasted all my life: a love affair with shape,
volume, color, and light.
Another characteristic of most architects is a tendency to
be well organized and detail-oriented. If you have someone in your house who
squares off the towels in the bathroom towel racks or lines up his/her pencils
with the edge of the table, then they either need counseling or they are might be frustrated architects.
Do you like to sketch or doodle on the margins or “build
stuff”? Do trips to the hardware store rank up there with taking the spouse out
for a movie? Or do you
compulsively watch the Home and Garden TV shows like “Property Brothers? Ayuh,
you’ve got it bad.
So how does someone, like an architect, “put it all
together” and come up with a design or remodel for your house? There are a
number of analogies for how this is done. Here are three of them.
House Design as a Baker’s Recipe
When you bake something, the ingredients are not just thrown
together. The best culinary efforts are carefully considered combinations of
specific ingredients plus artistic inspiration that always adds up to something
greater than the sum of its parts. It’s been said that house design is the same
way. It's more than a collection of bedrooms, a dining room, family room, and a kitchen. It’s
an “inspired recipe" of natural light, a sequence of interior volumes that
reflect patterns of living, walls that contain windows and doors in the right
proportion, built-in furniture, and much more. But
just as ingredients alone do not make the perfect loaf of bread, it takes
experience and creativity to successfully combine the elements to fit your
needs, your budget and be aesthetically pleasing.
House Design as “Frozen
Music”
“Talking about music
is like dancing about architecture” Frank Zappa.
Despite what Frank says, here goes:
In musical composition, there is a main theme or melody line
made up of chords, or “sounds”.
There is also rhythm and harmony. Architectural compositions can be seen
as having a similar construct. Solving an architectural problem often relies on
theoretical or abstract notions of rhythm, harmony, and the notion of main
themes or “melody lines”.
As an example, hallways can be seen as the spaces “in
between” rooms just as there are “rests” sometimes between notes in a musical
score. Or a series of exposed floor joists can set up a “rhythm” or repetition
that is echoed by the columns that support them at distinct intervals much like
the beat of a base drum supports the melody or main theme.
House Design as a Pattern Language
This is my personal favorite. Architecture, much like a
spoken language, can be seen as a series of patterns or “phrases” that are used
to express an idea. But instead of words, this visual vocabulary identifies
patterns that are used as building blocks or essential elements for the design
of a house. Christopher Alexander, a professor at UC Berkeley is the author of
a very influential book, “A Pattern Language”. It distilled the design of buildings into underlying patterns of behavior and form that are universal to all
homes that are great places to live. His theory was later illustrated in an outstanding book called “Patterns of Home, The Ten Essentials of Enduring Design" published by The Taunton Press.
The book offers the 10 most critical patterns for creating a
successful house design. They come from careful observation about how we
inhabit our homes. I recommend you either buy the book or get it from your
local library.
The essential patterns in the book are:
www.virtualrenovation.ca/newconst |
1. Inhabiting the
Site – This pattern was explored in my Blog entry titled “Site
Evaluation for a New Home”. It included: solar
path, views, site access, garage placement, outside space for gardens and
activities and privacy. Siting the house is a balancing act among these competing
patterns. But getting the feel of where the sweet spot is will make all
subsequent decisions easier.
realestate.msn.com |
www.gowright.com |
homeaway.com |
“When they have a choice, people will always gravitate to those rooms which have light on two sides, and leave the rooms which are lit only from one side unused and empty. This pattern, perhaps more than any other single pattern determines the success or failure of a room. The arrangement of daylight in a room, and the presence of windows on two sides, is fundamental. If you build a room with light on one side only, you can be almost certain that you are wasting your money.”
Christopher Alexander, “A Pattern Language”
chameleon.blogspot.com |
5. Parts in Proportion
– The spaces that make up a house need to be thought of as having their own
identity but also as part of something bigger. The aggregation can take many
forms. These include: one simple volume with everything inside it, a central volume
with balanced or asymmetric smaller spaces, a sequence of spaces strung
together, or a series of rooms around a courtyard to name a few arrangements. Regardless
of the arrangement, the parts need to add up to something that is visually
coherent.
nashvilleinteriors.com |
Tauntonpress.com |
simplyamsterdam.com |
blog.housplans.com |
9. Places in Between
– These are the spaces that provide a transition from inside to outside. They
are protected with roofs but are open to the surroundings. Examples include:
front porches, balconies, and breezeways. They allow the homeowner the
opportunity to enjoy the outdoors without being immersed in it.
www.mainebydesign.com |
So there you have it: house design as seen from three different viewpoints. If it sounds too abstract, then look at your own surroundings and see where these patterns are present (or not) in your own home. You will be amazed to see that, when they’re there, they make a big difference. It may answer the question why, subconsciously, you like or don’t like some things about your house.